GHOST: LIVE AT BOTTOM LOUNGE, CHICAGO

13 Dates Of Doom Tour – Tuesday, January 24, 2012

I have been clamouring to see mysterious occult rockers GHOST in the flesh for a while now, and I wasn’t the only one, demonstrated by the sold-out crowd at the Bottom Lounge in Chicago.  The audience stood hungry with anticipation while the stage was prepared for the Mighty Ones. Loads of smoke churned out against the faux stained-glass backdrop, masking the entrance of the black hooded band. Red and blue lights pierced through the glowing haze. The crowd erupted once Papa Emeritus I sauntered to the center of the stage, beautifully adorned in his “cardinal” gear and swinging his burning incense like a pendulum. He commanded the crowd before he uttered a note.

GHOST plowed through all of their debut Opus Eponymous (and a heavy rendition of “Here Comes The Son“), and the audience reacted as if each song was their personal favorite. The showgoers looked like your typical metal folk, black t-shirts and all, but the way they watched the show was something entirely different. Rather than shoving and moshing, they looked on in amazement, admiring the spectacle before them. They sang along LOUDLY, thanks to GHOST’s wonderful pop-centric songwriting. On more than one instant, I made eye contact with dudes shouting the lyrics like I was, which resulted in exchanged “hell yeah!” head nods.

Papa Emeritus I was brilliant on stage, maintaining a somber presence yet still managing to whip his hands in the air to signify a song’s ending. He reached into the audience on multiple occasions, and I thought those members of the crowd were going to pass out after receiving his evil touch. However, GHOST also had moments that reminded us they were human like the rest of us. Their second guitarist had technical issues and was left offstage altogether, and Papa took time to explain his whereabouts (“we are down a ghoul tonight”). His absence was noticeable on a few songs but did not detract from the overall musical performance, which was tight as ever. It was also surreal to hear his “regular” speaking voice. He thanked Chicago several times, gave props to his bandmates after instrumental “Genesis”, and gracefully bowed at the end of the night.

After closer “Ritual”, we were all left wanting more. No one expected an encore from the relatively new band. But we were all lucky to have seen GHOST in such an intimate setting. Regardless of what we believe, for sixty minutes on a Tuesday night, GHOST made us their faithful congregation. Great show, oh magnificent ghouls!

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NEW REVIEW: RISING

Rising – To Solemn Ash (Exile On Mainstream)
Released: January 17, 2012 

Ah, finally, some noteworthy metal is coming out. The Denmark trio RISING released their debut To Solemn Ash in Europe last fall, and last week the US got their taste. Make no bones about it, Rising wear their influences on their long, gray beards. They deliver the sludge with a splash of psychedelic guitar a-la Mastodon, pummel rock beats with High On Fire power, and bellow vocal harmonies like Baroness.

To Solemn Ash kicks off in a dramatic fashion with “Mausoleum” and maintains its riff-tastic momentum with “Sea Of Basalt” and “The Vault”. Rising showcase their progressive songwriting chops with “Cohorts Rise”, a track that is heavy and uplifting at the same time. I couldn’t stop nodding along to the driving beat of “Under Callous Wings”, and there’s some delicious guitar noodling in “Through The Eyes Of Catalysis”. The last track on an album is always an indicator of how I’ll feel about it as a whole. That probably goes without saying, and closer “Seven Riders” successfully ends with a brutal exclamation point. The main riff is hypnotic, and I found myself chanting along to the “riiiiiiiiiiiiiiiiiders” chorus on multiple occasions.

That being said, To Solemn Ash has lots of accessible, hooky moments throughout. The only flaw is sometimes the vocals feel forced. Singer Hendrik Hald certainly yells his balls off. There’s no questioning that, but stick your lower lip farther out than your upper lip and you’ll get what I mean. This is just a minor blemish, and it doesn’t hinder the thunderous rock of this impressive debut.

Be sure to check out this bone-crushing album, streaming online at The Obelisk.
Rising on Facebook.

UNCLE ACID AND THE DEADBEATS


Uncle Acid And The Deadbeats - Bloodlust (Killer Candy Records, 2011)

I am kicking myself for not including this on my 2011 best-of list, but I admit I dismissed Blood Lust the first time around. There were a few factors steering me in the opposite direction, namely the ridiculous moniker and the beaten-to-death retro rock revival sound.

So let me get that out of the way first. The guitars chug like Black Sabbath, UFO, and Uriah Heep. Fuzz tones eminate from what I can assume are warm vintage amps. The production will lead you to believe this album was recorded 40 years ago. This is something you’d pop in an 8-track before burning one in your shag-carpeted van. Point being: this has been done before.

However, the superb songwriting, occult lyrics, and the nasally layered vocals made me do a double-take. Listen to “I’ll Cut You Down”, and you’ll think you’re being whisked away to a magical kaleidoscope wonderland. Only after paying attention to the threatening introduction (set to a sinister catchy gallop), “I was born a wicked man, no hopes or dreams / I get my kicks from torturing and screams”, does the mantra of the band become clear. Uncle Acid’s intent was to create a soundtrack to a 60′s exploitation horror film, and they have painted an oh-so-gruesome portrait.

Other highlights include the psychedelic tribal drums of “Ritual Knife”, the ultra-slow trippy chants of “Curse In The Trees”, and the funeral organ on closer “Withered Hand Of Evil”. If you want the perfect background music for a mischievous romp around town, be sure to bring some Uncle Acid.

Uncle Acid And The Deadbeats on Facebook

HAPPY NEW YEAR

One of my goals for 2012 is to keep up with this humble metal blog. That being said, this time of the year is a little quiet, as there aren’t many new releases on the horizon. So until then, I leave you with a seizure-inducing clip from SHINING’s Live Blackjazz, out on CD/DVD later this month. They are truly in a league of their own. If you like your metal proggy and weird with all sorts of eyebrow-raising instrumentation, look no further.

NEW (to me): WETNURSE

Wetnurse – Invisible City (2008)

A few weeks back during Black Friday, Seventh Rule Recordings allowed selective free downloads of their Bandcamp catalog. First of all, that was extremely awesome of them. Secondly and thankfully, it introduced me to Wetnurse, a kickass four-piece from NYC that blends countless genres into their own brand of metal. I feel the “genre-bending” tag gets applied too easily these days, but Wetnurse waves that flag splendidly. Check out “Life At Stake” to get a taste of what they offer. There’s a dissonant guitar intro that ultimately builds and builds until it erupts into a serious balls-out AC/DC rock beat. Add some rhythmic screaming over that with a pinch of squealing guitar leads, and throw in a dub breakdown for good measure. The thing is, it doesn’t sound like they’re TRYING to be different on purpose. It just makes sense.

Stream the album on their Bandcamp site.

JT’S FAVORITE ALBUMS OF 2011

Towards the end of 2010, I got swept up in “listomania”, sparked mainly by Decibel Magazine and blogs like Metalsucks. I hurriedly pieced together my best-of list, but there was so much material I either forgot or neglected. This year was a different story. In the hour or two I usually spend each night trolling the music blogs, I made sure to keep MUCH better notes to simplify my list-making process.

I present to you my favorite FIFTEEN albums of 2011. My #1 is the only one ranked; the rest are in no particular order. If available, I embedded a Bandcamp player which allows full album streaming. I labored a good amount of time over this compilation so I thank you in advance for reading!

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